Heart House
Heart House
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
studio august 2019
Keerat Kaur is a Canadian-born Artist & Architect (lic. OAA) with Sikh-Panjabi roots. Her work takes shape through the disciplines of painting, sculpture, writing, music, and architecture. She gathers inspiration from Sikh philosophies to evoke themes of spirituality and fantasia. Her aesthetic lies in the realm of the surreal, merging mundane and dream-like qualities
She completed her schooling in French Immersion, received her BA in 2012 (Western University) and her Master of Architecture in 2016 (U of T), while continuing her formal training in the Dhrupad and Khayaal schools of Indian Classical Music. Having a passion for languages, she is able to read, write and speak Panjabi, French, and Hindi. She is currently studying the ancient language of Braj through the examination of historical Sikh texts. More recently, her work has contributed to the advancement of language-learning and preservation. Keerat currently lives and works between Vancouver, BC and Toronto-London, Ontario.
For a more detailed CV and references, please contact info@keeratkaur.ca
Keerat began visually experimenting at an early age, inspired to give a pictorial dimension to written and oral histories passed down from her elders. Her visual work has carried on a child-like whimsy, while becoming more heavily steeped in ancient narrative and enriched through meticulous ornamentation. She has exhibited internationally and has completed numerous private and public art commissions that have landed her pieces into the collections of well-renowned art collectors.
Keerat has performed around the globe through vocal recitals that combine her traditional learning with modern music production. Being an avid listener of folk and spiritual music from different cultures, Keerat's songs have naturally become home to a diverse set of riffs, instrumentals and note patterns. Her music has become an extension of her visual story-telling, and she continues to practice Gurbani Keertan and Panjabi folk.
As a licensed Architect, she has worked with reputable Architecture firms on commercial and residential projects across Southwestern Ontario. Her building science background has helped shape her career as an independent creative, and has instilled a diligence of technical refinement and iteration in her artistic output. She has also used this professional skill to explore the surreality of space, giving architectural materiality to her imagined narratives.
Keerat's work will continue to be centered around inclusivity (of race, gender, religion, class), historical preservation, and emotional empowerment
Public Clients include: Bank of Montreal, Apple Inc. Indian Heritage Centre-Singapore, Toronto Biennial, City of Toronto, Jaipur Literature Festival, Create Vancouver Society, Ghetts Limited OBO Little Simz, Kashi House Publishing, South Asian Canadian Histories Association and others.
