
Heart House
Heart House
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
The heart is the universal symbol for human emotion, which is why notions of closeness and vulnerability are expressed through this trope. Anything or anyone we adore is often referred to as “close to the heart.” One’s home is the most intimate built space that can be experienced, and Heart House is an architectural and sculptural allegory for this feeling of belonging. Each space in the house is a metaphor for the different members of the human heart, reflecting their functions and roles in oxygenating and recharging blood. The connectivity between the rooms of the house and their circulation paths are also akin to the movement of a blood molecule through the oxygenation process. This network generates a labyrinth of unique spaces, with both private nooks and expansive moments.
The First Red Seed 2026
natural pigments and silver gouache on wasli paper, 25" x 35"
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Drawn from my personal mythology, I imagine the pomegranate originating in water, much like the belief that all life begins in the sea. It is only upon reaching land that the pomegranate takes on its current form.
The work is based on my poem about the myth:
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The First Red Seed
Before land became home, there was only the sea.
And in its murmur, a coral bloomed
pale as moonmilk, soft as sleep.
This was the first pomegranate,
before it knew the colour red.
The mer women wanted these treasures close,
these shimmering hearts of the deep.
And so when they rose toward the light,
they carried their treasures with them,
dripping silver through their fingers.
On the shore they found barren trees
and hung the corals one by one,
hoping the wind would hum like the tides.
But air is a different kind of water.
Slowly, the pearls began to dry.
shrinking, even cracking, and then, impossibly, blushing.
One turned red,
as if the ocean’s pulse had been caught inside.
Then another, and another,
until the whole tree gleamed like a cluster of hearts.
And so the coral became fruit,
and the sea learned how to dream on land.

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